1987Arts and PhilosophyTheater, Cinema
Andrzej Wajda photo

Andrzej Wajda

  • Poland / 1926-2016
  • Film Director

A Film Director Who Kept a Firm Eye on the Tumultuous Era of Poland in the 20th Century and Has Depicted Liberty, Courage and Dignity of Human Beings

A world-famous film maker, who has made many superb films in post-World War II Poland that powerfully appeal for human dignity and the uplifting of the free human spirit, and who has exerted a great influence on people through his lofty screen achievements and passionate attitude.
*This category then was Category of Creative Arts and Moral Sciences.


Brief Biography

Born in Suwalki, Poland
Studied at Academy of Fine Arts, Krakow
Graduated from Leon Schiller State Theatre and Film School, Lodz Debuted as film director by "A Generation"
Debuted as stage director by "A Hatful of Rain"
Representative, Film Unit X
President, Polish Federation of film Debating Club
President, Polish Film Association
Honorary President, Polish Federation of Film Debating Club

Selected Awards and Honors

Prize of International Critic, International Film Festival in Venice "Ashes and Diamonds"
Best Director, International Film Festival in Moscow "Birch Wood"
Gold Medal, International Film Festival in Moscow "Land of Promise"
Grand Prix, Art Festival of Japan Cultural Agency "Man of Marble"
Best Actor, International Film Festival in Berlin "The Conductor"
Grand Prix International Film Festival in Cannes "Man of Iron"
Best Director, Cesars 1982 "Danton"

Major Works


“Ashes and Diamonds”


“Birch Wood”


“Land of Promise”


“Man of Marble”


“Man of Iron”




A Film Director Who Kept a Firm Eye on the Tumultuous Era of Poland in the 20th Century and Has Depicted Liberty, Courage and Dignity of Human Beings

Mr. Andrzej Wajda is an internationally famous film maker in Poland. In the late 1950s, when Polish cinema was in full flourish after World War II, Mr. Wajda made the films “Canal” and “Ashes and Diamonds” and he was a leader of the Polish School. Since that time he has made a major contribution to the development of cinema art by continually releasing outstanding films made with deep sensitivity and elaborate compositional power.

Born March 6, 1926 in Suwalki in the northeast of Poland, Mr. Wajda experienced the Nazi invasion at age 13, and joined the anti-Nazi resistance movement at age 16. After the liberation, he studied painting at the Academy of Fine Arts in Krakow and then dramaturgy at Leon Schiller State Theatre and Film School in Lodz. After graduating in 1954, Mr. Wajda made a series of works: “A Generation,” “Canal” and “Ashes and Diamonds,” the so-called Three Resistance Series, which as its theme carrys the tragic experiences of his countrymen during and after the war. These works give a vivid image of the way fighting and survival situations affect human begins. These films won worldwide acclaim.

While these films may be called his realistic series, Mr. Wajda also made works which may be termed a romantic series including “Innocent Sorcerers” “Birch Wood” and “The Maids of Wilko,” which lyrically express the aches and joys of youth. Moreover, in such films as “Ashes,” “The Gates of Paradise,” “Land of Promise” and “Danton,” he looked back into history to depict human aspirations and frustrations.

The consistent current that flows beneath the wide-ranging style and themes in Mr. Wajda’s works is the image of a deeply motivated person who confronts and challenges major hardships, and thereby has tried to penetrate the profundities of human nature. This image also has a close relation to his own attitude as a film maker. The films “Man of Marble” and “Man of Iron” contain powerful expressions of the way people lived under the political and social reform in Poland. He has also done broad creative and productive activities outside his own country, such as “Danton” in France, and “A Love in Germany” in Germany.

The lasting merit of Mr. Andrzej Wajda is, as his work clearly shows, that he has continually made superb films in post World War II Poland to appeal strongly for human dignity and the exaltation of free human spirit. He has exerted a great influence on people through his lofty screen achievements and passionate attitude. His personal commitment to a free spirit is underlined by his resignation from the public offices of president of the Polish Film Association and Representative, Film Unit X.

Mr. Wajda has also put his heart into theatrical performance as well as the cinema, and in particular he is renowned as a stage director for the writings of Dostoevski.

Mr. Wajda’s 60th birthday was commemorated last year with “The Exhibition — The Theatre of Andrzej Wajda” and “The Exhibition-Andrzej Wajda’s 30 films 1954-1985,” held in various places in Poland. He has recently released “A Chronicle of Amorous Accidents,” and determined the cinematization of “Nastasya Filipowna” in France. We may expect a continuing flow of Mr. Wajda’s creative activity in the future.


Abstract of the Lecture

Observing Life Through a Camera

At the request of the sponsor of this commemorative lecture, I will look back over the thirty years I have spent as a film-maker and dramatist. From among my films and numerous stage productions, I will attempt to extract some general principles and precepts which may be of interest to you. Have I been able to discover anything exciting? I am talking not only about films perse but also about the methods of my work. I hope my attempt will be successful and that I will be able to utilize my time effectively. My first conscious experience was of war. I saw how short human life could be and how quickly it could be extinguished. Based on this personal experience, I have not left any work undone as I realized that the time I had to accomplish all my plans was short.

In the difficult postwar period there were repeated social and political crises in my country, and even though we looked forward to better political circumstances, I soon learned that hope alone was not enough.

Film and drama have in common dynamic art forms with a wide appeal and impact. A film producer is an artist, but should he rely solely on his personal artistic ability in his job, his work will be unsatisfactory. It is necessary to have the ability to bring out the artistry of the actors by working closely together with them.

Nevertheless, the personal disposition of the artist should be preserved as well as the spark of creativity which often has its roots in the artist’s native country. It is good to cultivate one’s talent and keep it intact wherever one goes in the world. Still, no matter what the hardship and no matter how one is buffeted about in the crowd as one grows older, it is also pleasant and desirable to be able to say “thank you” to and to feel at home in one’s own country.

After my talk, I hope you will understand more clearly why film producers in Poland often speak of political problems and have to participate in social debates related to the freedom of the individual and the group.

Since drama and films arise out of the social group itself and are made for the general public, we film producers also must act as responsible social human beings.



The world of Andrzej Wajda's film

November 12, 1987 10:30-17:00
Kyoto International Conference Center
Etsuko Takano Member, Kyoto Prize Screening Committee in Creative Arts and Moral Sciences; General Manager, Iwanami Hall


Greetings Kazuo Inamori
President, The Inamori Foundation
Commentarial Address Naoki Togawa
Member, Kyoto Prize Screening Committee in Creative Arts and Moral Sciences:
Professor, College of Arts, Nihon University
"Andrzej Wajda, Kyoto Prize Laureate and his film on show"
Film "A Chronicle of Amorous Accidents"
The First Public Screening
Directed by Andrzej Wajda
Lecture Andrzej Wajda
Laureate in Creative Arts and Moral Sciences
"The film director and his staff"
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